Tinashe Mutarisi, the proprietor of Nash TV, has announced the closure of his entertainment venture, citing significant damage to his personal reputation and substantial financial losses. Speaking in an interview with Misred during The Rush segment on ZiFM Stereo Drive Show, Mutarisi expressed disappointment that his project, initially intended to mentor young entrepreneurs, had instead led to widespread negativity associated with his name online.
Mutarisi highlighted a highly publicized dispute with musician Ndunge Yut over alleged non-payment of $500 in performance fees as a key factor contributing to the negative perception. “Before I started making music, a lot of people were inspired by me because I was a young entrepreneur coming from Hwedza, Kwakarimba. I am privileged to sit on one of the biggest boards; I am a board member of BancABC,” he said. He lamented that internet searches now link his name predominantly to controversy rather than his entrepreneurial success or mentoring efforts.
“This is not how I wanted to be perceived. I have always aimed to inspire people wisely in business so that there won’t be a barrier between me and the next person,” Mutarisi added.
Despite the closure of Nash TV, Mutarisi remains optimistic about the future of several artists previously under his wing, including Nisha Ts, Saintfloew, Ninety Six, and newcomer Raymer. He stated that these artists have been groomed to operate independently with their own management teams, though he plans to continue providing mentorship from a distance.
“I have developed strong brands and throughout the years of working with them, I have taught them to stand on their own. All I can say is that these artists are ready,” Mutarisi said.
The news has stirred mixed reactions among music fans on social media platforms like Facebook. While some praise Mutarisi for his role in developing local talent and brands, others accuse him of exploiting artists and leaving them vulnerable in the competitive music industry.
As Nash TV closes, the spotlight remains on how emerging artists will navigate their careers independently and whether Mutarisi’s departure from the entertainment scene will restore his reputation as a respected businessman and mentor.
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